Letter
Karolina Grzywnowicz
Warsaw, 2020
Transnational Docudrama for Social Change

,
A Pink Room of Her Own
Selma Selman
permanent collection in artist's family house in Bihac), 2026
The Anxieties of the ‘Roma Artist’
Norbert Oláh
Budapest , 2021
Where There’s Smoke, There’s Fire
Anna Maria Grzybowska and Karolina Toka
Warsawa, 2021
The Undamaged
Rožle Bregar, Matič Oblak and Miha Avguštin
Ljubljana, 2019
Kateřina Šedá’s МЯСТО ДО ПРОЗОРЕЦА / A Place By The Window (2020–2021)
Mary Orsak
New Haven, 2021
God, Home, Kitchen – or an attempt for a U-turn in the middle of the highway
Mikolt Tózsa
Budapest , 2022
Ukraine: Protest Performances of the Late 2000s
Alisa Lozkhina
, 2021
Mura March, Slovenia
Sonja Bezjak and Marijana Podhraški
Trate, 2021
Care Workers

,
The future of Autonomous Factory Rog
Mateja Fajt
Ljubljana, 2021
Murals for Mura!
Sonja Bezjak and Marijana Podhraški
Trate, Solvenia, 2018
The Revolution of Dignity in Ukraine (2013-2014)
Alisa Lozhkina
, 2021
Protest Textiles, Costume, and Craftivism in Belarus, 2020–2021
Sasha Razor
Los Angeles, 2021
“Grow Me, Water Me, Caress Me”
Zorica Zafirovska
Skopje, 2021
Bialka’s Braids
Cecylia Malik
Cracow , 2021
Protest: Road to the Revolution

,
“Shelter” by Varvara Grankova
Varvara Grankova
Moscow, 2020
Mariinsky Ballerina Dances to Save the Real Swan Lake
Anna Zheng
New Haven, 2021
Platinum
Selma Selman
Sarajevo, 2021
WHERE ARE THE CHILDREN? [GDZIE SĄ DZIECI?]
Karolina Grzywnowicz
Warsaw, 1995
“Get the Fuck Out!”: Performativity of the Protests’ Parlance
Karolina Toka, Anna Maria Grzybowska
Warsawa, 2021